Curator Felicia Gay is working to transform art spaces in Saskatchewan
The idea that art holds power to not only shake audiences, but enact change, is a belief that has guided curator Felicia Gay throughout much of her work.
“People will listen to art more than they’ll listen to us,” said Gay.
“Even if they don’t want to see or heart it, through visual art, it can plant a seed in people’s minds that can bloom, that can interrupt thinking or change perspective. It’s a strategy for me to use art in that way to advocate for our people.”
Gay is a Curator at the MacKenzie Art Gallery in Regina, a position she’s held full-time since 2024, and as a fellow since 2019. Gay, who is of Swampy Cree heritage, with her father of Scottish descent, grew up going between Cumberland House and Saskatoon, and uses her unique background and worldviews to inform her curatorial practice.
“I do this to share our stories,” she said.
“I think people think that our art has to be political. But through our lived experiences, we are political beings because of the oppression we’ve gone through. So when we make art to tell our stories, it’s often connected to something deeper going on in our lives.”
It’s a profession that is significantly underrepresented by Indigenous people in Canada. While the sector has grown in the last two decades, a report from the Indigenous Curatorial Collective found roughly ten Indigenous curators in Canada in 2005, while only about 2.7% of art leaders in Canada were Indigenous.

As such, Gay, who holds a PhD in Indigenous curatorial practice from the University of Regina, and has helped establish galleries like Red Shirt Gallery and the contemporary gallery at Wanuskewin Heritage Centre, said she takes a different approach to curating than the standard, colonial practices.
“I don’t curate the way settlers curate. Historically, it’s older white men who have these roles,” said Gay.
“I see curators as people who invite stories into a particular space. Sometimes these galleries can seem like white cubes, but I think of them as sovereign spaces when I connect with Indigenous artists.”
That approach to art curation through community connection has lead to a nomination for a 2026 YWCA Regina Women of Distraction Award in the category of Indigenous Resurgence in Action.



